Childhood Anorexia on the Rise

Doctors at the Westmead Children’s Hospital in NSW have told the ABC that child admissions for eating disorders, particularly anorexia, have tripled in the past decade.

Children as young as eight are being admitted, some of whose lives are at risk.

Dr Sloane Madden says children’s ideas about what constitutes a good body shape are cemented at a young age.

An anorexic girl lays on her bed in a psychiatric hospital

“By the age of 12 most children have their ideas about what’s a desirable weight and shape,” he said.

“So children at that age see being thin as being equated with successful, hardworking, and when you couple that with the message that overweight and obesity is bad and a

 focus on losing weight, that really is a potentially dangerous combination.”

The head of the hospital’s adolescent medicine department, Susan Towns, suspects the media is to blame.

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Street Art and Urban Protest

Trespass: A History Of Uncommissioned Urban Art

One of our favorite books on street art, explores the history and context of illegal art, from traditional graffiti to performance to design interventions, as a powerful form of urban protest. As a properTaschen treat, this lavish 320-page volume features work from 150 influential artists across four generations of visionary outlaws, including Keith Haring, Os Gemeos, Barry McGee, Shepard Fairey, Blu, and Banksy.

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What Price Would You Pay?

 ”In my opinion the success of an appropriation is its ability to present new meaning within a modern context and when this is understood the work of an appropriation artist is really quite a daunting task. The artist has to take an artwork, which means taking all it previous messages and historical context and while still keeping the original recognisable, put their own, intended concerns into it.”

Artist: Adam, 16 years, Qld , Australia

 

“Of course, your ideas can be stolen… I used to think it was immoral; now I think of it as a compliment… Ultimately, an idea isn’t yours; it’s only your take on something” -Peter Wolf



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Culture as a Weapon

The arts take on the oppressive weight of the Malaysian State

Pang Khee Teik, activist and gallery director: 'We are voicing the conscience of the people'

Pang Khee Teik, activist and gallery director:

‘We are voicing the conscience of the people’

As hot, sweaty tourists dangle their feet in pools for Thai Nibble Fish to eat the dead skin from their feet at Kuala Lumpur’s quirky Art Deco Central Market, a small theatre upstairs is packed for a play about racial divisions and the myth of social unity here. The performance of Parah ( which means “severe”) at the market’s Annexe Gallery by the young team from The Instant Café Theatre Company is a daring look at race and division in a country that paints itself as a shining example of unity, but whose policies are increasingly driving a wedge between the main groups – Malays, Chinese, Indians and indigenous people. “Our ancestors live with their ghosts,” says Mahes, one of the young characters in Parah. “Sama-lah [so do we].” Continue reading

Amnesty – Calling all Artists

ARTillery is calling for painters, sculptors, photographers, musicians and filmmakers who want to get creative and help promote human rights. ARTillery 2011 launches with the MasterPEACE art exhibition and Risk live performance on 9 December. As part of MasterPEACE, all works will be displayed at Jugglers Art Space, Fortitude Valley, for three days.

If you are interested in either of these opportunities please apply before 7 November through the ARTillery website here.

Artillery logo

Waiting for Asylum: Brisbane Exhibition

 Figures from an archive 

11 June – 7 August 2011

<b/>Ross Gibson and Carl Warner<br />
<em>‘protection’ </em>2011<br />
C-type photograph and blackboard paint<br />
Source material courtesy of Fryer Library, The University of Queensland<br />
Reproduced courtesy of the artists” width=”260px” /></p>
<address><span class=Ross Gibson and Carl Warner
‘protection’ 2011
C-type photograph and blackboard paint

Ten years since the SIEV X tragedy, the plight of the asylum seeker still provokes strong political, emotional and ideological responses across all ranks of Australian society. Working with the Fryer Library archive of refugee ephemera, collaborating artists Ross Gibson and Carl Warner interpret the precarious position of the asylum seeker in Australia past and present.

Curators: Dr Prue Ahrens & Michele Helmrich
Project Researcher: Professor Gillian Whitlock


Interpretive Resources

  • Watch or share video on Waiting for Asylum: Figures from an archive (2.47mins)

Original Source: Art Gallery – Asylum Seekers from The University of Queensland on Vimeo.

Collaborative Witness

 

Collaborative witness: Artists’ responses to the plight of the asylum seeker and refugee

11 June – 7 August 2011

Intense media coverage of events surrounding asylum seekers creates witnesses of all Australians. Through multiple styles and materials, artists challenge one-dimensional portrayals and become not only witnesses, but also collaborators on the complex story of those seeking asylum. Works produced over the past decade question the nation’s response to the plight of the refugee. Artists include Benjamin Armstrong, Lyndell Brown and Charles Green, Jon Cattapan, Tim Johnson and Karma Phuntsok, Rosemary Laing, David Ray, Judy Watson, and Guan Wei.

<b/>John Cattapan<br />
<em>Imagine a raft</em> 2003<br />
oil on linen<br />
Private collection, Brisbane<br />
Reproduced courtesy of the artist and Milani Gallery, Brisbane.” width=”260px” /></p>
<h6><span class=John Cattapan Imagine a raft 2003 oil on linen

 

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Exhibition Marks SIEV-X Tragedy

 A powerful art exhibition took place in Brisbane over October 15-23, commemorating the 10th anniversary of the SIEV-X tragedy on October 19, 2001, in which 353 asylum seekers, including 146 children, drowned when their fishing boat sank between Indonesia and Australia.

 

The exhibition featured the works of Melbourne-based artist Kate Durham, under the title, “SIEV-X — and some were saved”. It included a supporting exhibition of paintings by artists from refugee communities who came to Australia by boat, titled “Floating”.

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